Maps and mapping…

Sean C Jackson is an artist who draws maps and mazes. The Guardian featured his work recently, and you can see it here. His maps are mostly imaginary, but ask the viewer to dive into the world he has created and puzzle through it. Most of the works sit somewhere between 2 and 3 dimensions, which can make for some disorientation at times, and asks you to engage with the work by turning either your head or the page.

Topography and mapping can be useful ways of visualising ESL, interactions, and social phenomena. Like a map, an ESL can highlight the relevant and hide the irrelevant. Like a map-maker, the researcher using an ESL must choose what is relevant and important and why. Like a map, an ESL lens can also zoom in on areas that are more important, while identifying but minimising others. As a result, we can appreciate the whole landscape in all its complexity and understand the context of the research.

If we were to map out current mainstream approaches in law, economics and sociology, how might it look? The picture below is a (stylised) suggestion that the academic silos of law, economics and sociology would look be islands of research endeavour. They are separated by sea, and generally have their own languages, cultures, and traditions. Some brave interdisciplinary scholars traverse the seas and work on two or more islands, but many do not.

Map of current mainstream disciplines
Current mainstream disciplines as islands of endeavour

How might it look if we were to draw an ESL as a response to these islands? Would they converge? Would we need bridges, ships, or loudspeakers? Would this enable inter-island dialogue, or just increase competition? And what could a map of the topography of ESL tell us about the lens?

Visualising interactions in colour

The first GIF here imagines what interaction patterns might look like if we use yellow for economic phenomena, red for legal phenomena, and green for social, political and/or power-oriented phenomena. They are presented separately, performed between actors represented by the red dots.

The following GIF asks what this might look like when these phenomena occur simultaneously.

The colours show the various phenomena as they are simultaneously performed through interactions.

It is worth noting though that by using colour to separate out the economic, legal, and social phenomena, we are using “embeddedness-based” ESL lenses. In other words, we are accepting that legal, economic and social phenomena are separate.

As I argue elsewhere on this blog, if we really want to talk about, think about, and do the econolegal better, we need to move beyond embeddedness.

Future posts will explore what this might look like.

The Art of Innovation (Part 1)

There’s currently a very interesting exhibition on at the Science Museum in London called “The Art of Innovation”. It’s about the links and dialogue between the (natural) sciences and the arts.

Given my interest in the dialogue between the social sciences and the arts (have a scroll through some of the other posts in this blog if you’re new), the first part of the exhibition was a little wide of the mark. The artistic side of the first few exhibits included architecture, dress-making and textiles.

However the real showstopper for me was a piece designed by Theodore Olivier in 1830 (see below) in the section on “Meaningful Matter”. These were built to convey complex 3-dimensional ideas to a wide audience. The coloured strings could be adjusted using weighted beads in the frame, meaning that different surface shapes could be modelled according to the mathematical equation at question, revealing a number of surfaces and shapes simultaneously. These frames and models were eventually produced in significant numbers and sold across the world. The one in the picture below was made by French company Fabre de Lagrange.

Exploring surfaces and mathematical equations in 3 dimensions

However, as ideas progressed, these models fell out of favour with the mathematical and scientific communities. After the First World War, the models were displayed in museums as curios where they found a new audience; avant grade artists. The string models represented not the abstract thinking of the original mathematical equations, but the ability to explore shape and form in a new way.

Among those who drew inspiration from these models were Barbara Hepworth and Henry Moore. Hepworth modelled her sculpture on the mathematical models that she had seen at Oxford (see below).

Barbara Hepworth Sculpture inspired by mathematical equations
Barbara Hepworth sculpture inspired by mathematical equations

As a member of the St Ives set, it was therefore no surprise to see Hepworth joined on the opposite wall by a set of sketches by Henry Moore.

Sketches by Henry Moore
Henry Moore sketches inspired by equations

Moore’s sketches drew inspiration from the string recreations of maths equations that he encountered on display at the Science Museum when he was a student in the 1920s. Moore immediately recognised the structural and artistic possibilities the models presented, noting that “it wasn’t the scientific study of these models but the ability to look through the strings as with a bird cage and to see one form within another which excited me”. The sketches on display in the exhibition eventually inspired several wooden string figures of his own.

There are similarities with some of the work I’ve been doing with zentangling interaction patterns, as you can see in my previous posts. I’ve also built 3 dimensional string models using the colours of strings to represent economic, legal and “other” aspects of each interaction, overlapping these to build complex patterns. Some of the questions I’ve been pondering are how models like these could help us explore complex patterns of interaction in the context of the social sciences? How could we visualise economic and legal aspects of interactions using colour to build up overarching patterns of interaction?

Stay tuned for more from the exhibition in Part 2….

Visualising interactions using Procreate on the iPad: an update

I’ve recently started using ProCreate on the iPad to explore visual representations of econo-socio-legal interactions. My portfolio has always relied on the good, old-fashioned pen and paper approach, so it’s been really exciting trying out different technologies. I’ve been updating my portfolio and recreating the pieces digitally, which I’ll discuss in this post – with pictures!

I’ve found the app to be really responsive and a fun and easy way to get creative. The Apple Pencil can be a bit frustrating to use as it has that “drawing on glass” feel, and runs out of battery at crucial moments. But the feedback and pressure sensitivity works really well and makes drawing on the iPad a really enjoyable experience.

But on to the content! Here is a first attempt using Procreate at recreating the social fabric of interactions, weaving together three layers. Here, they are legal, economic, and “other” aspects of social interactions. This recalls the goals of Economic Sociology of Law-based approaches that want to recombine legal, economic and social phenomena, as well as recognising the importance of others aspects of interactions. In this, we can refer back to Max Weber’s four interaction ideal-types (instrumental, affective, belief-based, and a traditional); all of which fit into the “other” layer here.

In case there’s any doubt about the three layers, we can add some colour. For me, law is best represented in red, economics in yellow, and social otherness in green.

Then, adding in economic aspects of interactions…

And then, the social “other”, completing the woven fabric of interactions as seen through an econo-socio-legal lens…

The really cool thing about Procreate is that is can record everything you do on a particular canvas, and can reply the progress of the piece as a time lapse video. If you want to see the steps involved in creating this piece, it’s on my YouTube channel here.

I’ve also started redrawing representations of orthodox economics, economic sociology, and economic sociology of law. The idea is that the main stream, orthodox economic theory relies on assumptions and models that provide a straight jacket and that sociological and econo-socio-legal framers can moderate this and make the approach more flexible and more reflective of real life.

So, in the first image, neoclassical economics is drawn as straight lines, with little flexibility outside of the predetermined categories built into the models. In this sense, it fails to capture the complexity and unpredictability of real world interactions.

By incorporating more insights from sociology and from focusing on interactions rather than actors, we can capture the full extent of how complex, dynamic, and unpredictable real world interactions can be, and what this might look like…

All that’s needed now is a roadmap from the orthodox to the heterodox… a visualisation of which I’ll post as an update!