I’m so excited to be launching this project. I’ve mentioned it a few times (just a few) over past blog posts, but here we are… it’s live! You can visit the site here, and I’ll be posting more about the processes involved and how I’m approaching it here.
Copyright Clare Williams 2021, images reproduced here with the kind permission of tl;dr.legal
This project has been a long time in the making. I first started sketching out what my “journey” might look like in 2019, right after passing my viva and feeling that I could give myself permission to step away from the core content of my research for a bit. It had been a long 8 and a half years. In hindsight, it was worth every step. But there had been moments along the way where I’d sworn blind I wasn’t cut out for this and was going to quit.
Fortunately, for me, I had a wonderful support team of supervisors and mentors who made sure that the nuclear option never happened. But I’m not alone in having moments like this – any long research project has its ups and downs. Sometimes we want to give up. We don’t feel we’re good enough, or can make this lifestyle work.
So, the Mountains of Metaphor project is a way for me to share my story and reach out. Maybe you’ve experienced something similar? Maybe you’re considering a PhD but aren’t sure how to approach it, mentally?
There are some supplementary materials on the site that you can download and play around with – why not try creating your own map of your research journey? Where are you on the map? What’s going on around you? Can you still see your eventual goal?
A little heads up on a current (soon to be revealed) WIP: I’m visualising the PhD journey using digital paintings, maps and interactive story-telling. It’s an exciting project and I can’t wait to share it when it goes live. This means that I’ve been thinking about metaphors and ways of storytelling. And it turns out that once you start looking for visual metaphors, they turn up everywhere.
My own personal metaphor for undertaking the PhD was pretty mainstream, despite being invaluable. For those who don’t know, I’ve been climbing a mountain whilst doing the PhD. Passing the viva was effectively reaching the summit, but on the way were a whole bunch of added extras, from being caught in an avalanche (loss or illness), so taking shelter in a cave while storms raged (fighting my university for access and not feeling able to go on), to getting stuck in a swamp and totally lost (doubting that my work was valuable, relevant, or particularly insightful).
Whatever was happening in my life at the time, there was a convenient metaphor for it, and one that helped me put my problems into a tangible frame where I could appraise their significance (objectively), figure out a plan, and then refocus on my goals. I think this is why I found the metaphor so helpful, and why it was it one of the keys to me completing the PhD after 8 years of hard slog. Having that mountain in the distance meant that, regardless of what happened along the way, I never lost sight of my goals and was able to appreciate the storms for what they were; temporary blips that would not permanently interrupt my progress.
Sky: Children of the Light
While my forthcoming project is designed, painted and written by me as a visual representation of my metaphorical journey, I stumbled upon a different version of the metaphor… scrolling through the latest games on Apple’s App Store, I came across a game called “Sky: Children of the Light”. Here are some screen grabs from the App Store, mainly so that you get an idea of the beautiful artwork in this game.
Screen grabs from “Sky: Children of the Light” on Apple’s App Store. The game, created by Thatgamecompany, combines a simple story with stunning graphics and visuals that also work well as a metaphor for other life journeys.
The aim of the game is to get to the top of the dangerous and dark mountain (sound familiar?) and this is best achieved by working altruistically and making friendships (also familiar – no one ever finishes a PhD by working alone). The graphics are undeniably beautiful, and the challenges include decoding glyphs and meeting ancestors to gain their knowledge as you go along (also, very relevant for a PhD journey, although less literal when those ancestors are in book form in a library).
The blurb about the game states that “with your trusty candle, you’ll illuminate the world bit by bit, pushing back the darkness and igniting beacons to open doors to new areas”. This might be a little poetic, but is a comforting thought to those of us trying to develop new knowledge that might just make the world a better place, one day.
“You’ll meet dozens of ancestors who will teach you new expressions – like setting off a dazzling fireworks show – or offer items like capes, hairstyles and musical instruments”. While no one offered me a hairstyle throughout the PhD, learning from ancestors, mentors and peers is a central part of the process. Despite the journey being solitary and even lonely at times, the most valuable resources are the people around you – your cheerleaders.
“Although you can play Sky alone, the experience truly comes to life when you connect with friends, family or strangers. Can’t reach a hidden cliff? Signal to a passer-by who has a more powerful cape and perhaps they’ll take your hand and escort you up. The desire to help others is woven throughout the game’s fabric.” There have been many occasions when I’ve benefitted from the generosity of others in my field. Progress doesn’t happen through sheer slog in the library, but from friendships, kindness, and solidarity. And some beautiful metaphorical scenery.
Who doesn’t love a meme? And when a couple of these come along that just happen to sum up your doctoral thesis, it’s both impressive, depressing, and a funny feeling of having come full circle.
Thanks, internet.
Elon Musk, king of many things but also of the art form that is The Meme, was widely panned for his early laid-back response to the pandemic, preferring to worry over the economy instead. And then there was this:
Admittedly, this is open to interpretation, and Musk hasn’t clarified how many layers of sarcasm are at play here but judging by more recent tweets, he seems to mean this literally. The image, of an astronaut on the moon watching the destruction of the planet earth while worrying about the fate of the economy is perhaps a fitting metaphor for some of the narrative around the Covid19 pandemic. Some have suggested that Musk was actually referencing the real role of the economy in human health, and the mutual dependence of the two rather than the “lives versus economy” binary that has defined the pandemic discourse. Alternatively, the image could beg the question of whether we are sacrificing the planet to satisfy the gods of economy. More on this later. In the meantime, the internet responded magnificently:
Humorous, yes. But there are two points to note here that relate to the relationship between economy, society, and the planet.
Memes are metaphors
Firstly, these make great visual metaphors for our preoccupation with the economy at a time when lives are being lost to a virus. James Geary cites metaphors as essential for framing a subject, which in turn defines how we think about something. His book “I is an other” notes that:
“We think metaphorically. Metaphorical thinking is the way we make sense of the world, and every individual metaphor is a specific instance of this imaginative process at work. Metaphors are therefore not confined to spoken or written language.” (Kindle Loc. 219-221)
Perhaps the originator of work into metaphor and its effects on framing and cognition, George Lakoff highlights the importance of metaphor and its role in how we perceive, conceive and understand something that then gets wired into our neural circuitry. See “Don’t Think of an Elephant“, as well as Lakoff & Johnson’s “Metaphors we live by“.
A metaphor is a way of likening one thing to something else. In this case, the pandemic is represented by the destruction of the world, with the distant astronaut concerned over the fate of the economy. Is the implication really that the pandemic is a looming apocalypse? This would probably strike most people as extreme, but the similarities include the fact that we have not faced a global pandemic in living memory, that our way of life or “normal” probably has met the same fate as the meme-planet, and that the fate of the earth and the climate crisis has been unceremoniously bumped down the order of global priorities.
Much of the discussion about our responses to the pandemic seems to have polarised debate into a “lives versus the economy” binary. Of course, the world is not as simple as this. In previous posts I’ve emphasised the need to bring economics back into the social science and reorient it around people, highlighting the fact that without humans interacting, there is no economy. This fact seems to have been largely ignored in the discourse – if people are sick, the economy suffers. If the economy suffers, people will too. They are two sides of the same coin – another metaphor for trying to explain that the economy (itself a metaphor for a collection of human behaviour) benefits when we are fit, healthy, and productive, and vice versa. Pitting the one against the other is, admittedly humorous but erroneous and ultimately unhelpful.
Metaphors frame our thinking
Secondly, how (you ask) does Elon’s meme sum up my PhD thesis? Interpreted literally, it’s wide of the mark. But seen ironically, the meme captures a Polanyian interpretation of the economy-society duality.
We use metaphor to think, and our ways of thinking about the law and the economy are as steeped in metaphor as any area of life; in fact, possibly more so. We attribute human qualities to the economy (it’s “gathering strength”, it’s “taken a tumble”, etc), and neoclassical approaches have tended to prioritise the free market as a self-regulating mechanism that can regulate human behaviour accordingly.
This encapsulates Karl Polanyi’s assertions about the relationship between the economy and society. In more recent debates after the 2008 financial crisis, the question tended to be “is the economy embedded in society, or is society embedded in the economy” (both of these are readings of Polanyi’s thesis, and yes, they are contradictory). The point is, when we use “the economy” as a metaphor to start talking about collections of human behaviour, we can begin to personify these, and start talking about the economy as if it were a living, breathing thing. While we might think that “economy” should function for the benefit of society, there are those who argue that society now functions for the benefit of the economy. Some commentators have argued that the metaphorical aspirations of the economy have taken over the narrative, to the extent that society works to serve economic goals. We strive to increase GDP, growth, productivity, and so on.
And so, Elon’s meme neatly sums up the subordination of society, and the earth, to economic goals. At the same time, it hopefully asks us to reconsider the relationship between the economy and society, economy and the planet, and how we can move forwards in a mutually beneficial manner.
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